Some of these people are scary-good musicians. all for union scale and the standard ASCAP or BMI payout. But you're awfully quick to dismiss the efforts of the people who made these tracks. You have no idea how the sausage gets made. Most of them will only play on a handful of very successful recordings. Some of them do ok if they play on a jackpot track. Here's another few examples: There were some shit hot woodwind players on "When I'm 64" and "Honey Pie." Studio aces. Or you can call the string quartet who played on "Yesterday" "a bunch of talentless hacks." The piccolo trumpet player on Penny Lane.
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You're awfully free with giving away other people's property. this may come as a surprise to you, but the Beatles were not the only people who played on those records. I have some patents, but generally don't bother because it's just to expensive to get and defend them anyway.because lawyers suck.Īlex. On the other hand, I have often run into patents that are so broad that it's just not worth trying to innovate anything near it. So the inventor (me) got less out of it and innovation was still not encouraged.
They never had to, so no effort was made. Nobody has ever bothered to improved it except me in all these years.Ī patent would probably have led to more innovation as others tried to get around mine. I still have about 50% of the market, but if I had patented it, the price would be double what it is and I and my employees would have made a lot more money. After about 5 years it was copied by every one of my competitors and eventually all went to China to build it, except me. One product I invented about 18 years ago has sold over $100 million and still enjoys about 95% market share. I'm still sorting out my feelings about I.P. I've invented a fair amount of stuff, not art, but consumer hard goods.